Their works have influenced people on a global scale, and spark conversations to this day. Lands plagued with poverty, famine, and the aftermath of war held stories in every nook and cranny of a new land. The experiences of the people, whether told through the nihilistic approach of Mrinal Sen, the piercing reality of Ritwik Ghatak or the humane qualities of Satyajit Ray, document a significant time for the subcontinent. These films went on to define the golden age of Bangla cinema. The contrast is complementary and forces you to gaze back at the poster. His 1965 opus Subarnarekha offers a juxtaposition of playful colours against a more stern portrait. A blue backdrop of a familiar rural scene and complimentary alpona fuse to form a unique look. Komal Gandhar has a spine-tingling feel in its promotional poster. Posters for Baishey Srabon and Abosheshe also symbolise the profundity of Sen's artistry.Ī friend and collaborator of Sen's, Ritwik Ghatak told the same stories of class struggle, a colonised subcontinent, and melancholy of the masses through a different lens. The typography is a little more grounded and embodies the graffiti that might have been seen on the walls of Kolkata during that era. Similar techniques of Ray's such as collages are used. See full summary Director: Birsa Dasgupta Stars: Bratya Basu, Mimi Chakraborty, Saurav Das, Yash Dasgupta. A tale of love, passion, heartbreaks and. Rebellious, unsettling, and provoking - the poster for Calcutta 71 is a combination of illustrations and photography. Gangster is an Indian (Bengali) film of romance thriller genre directed by Birsa Dasgupta with Yash Dasgupta and Mimi Chakraborty in the lead. Elsewhere, Mrinal Sen's posters possess the same uncompromising feel as his films.
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